Julie Goslinga
Work & Internships
- Team Rolfes x CTM Festival Berlin (Internship)
- Harriet Davey (Internship)
- Pornceptual (Internship)
- Slash Office (Internhip)
- WHOLE Festival (2023-2024 Social Media, Production)
- Freelance 3D Artist, video-editor, graphic deigner
- EYE Film Museum Researchlabs 2023 - Videowork
- GOGBOT Festival 2024 Participant
- Zefir x BNO - Invited to speak on “Otherness”
- RADAR Hamburg - Participant in group show
- IMPAKT Festival 2024 - Participant in “The Cake is a Lie”
- Nieuw Dakota - Participant “ACT 2:System Failure”
- Rotterdam Art 2025 - THE NEW CURRENT Participant
- 3D generailist
- Graphic Design
- Interactive Spatial Design
- Visual Communication
- Knowledge on queer- and gender-theory
- Event production
- Social media content creation
- Adobe Suite programs
- Premiere Pro 4.0
- Blender 3.5, 4.1
- Substance Pt
- Marvelous Designer
- Daz3D 4.21
- Unreal Engine 5
- Z-Brush 2019
- Touchdesigner & MaxMSP
- Arduino and RasPi soft-and hardware
KABK The Hague
Glamcult interview
Impakt: Dealing with Julie
Fueled by complex metaphors and confusing desires, this artwork fantasizes about a universe where inner ‘Other’ turmoils can be glorified and praised with dedicated fervour. It finds, however, that these intentions are easily misunderstood. Who is the Other if not just a political tool?
KABK The Hague
Read on ResearchCatalogue
.pdf upon request
Through a multitude of perspectives and methodologies, ranging from melodramatic poetry and art-film to 3D-porn and 20th century psycho-analysis, this exploration tries to access its own definition of “Otherness”: what does it mean to be Other? What does it mean to year for an Other(ness)?
Following Sara Ahmed’s philosophies of ethics gives insight on what it might mean to encounter Others ethically. Continuing by turning these insights towards internal landscapes, highly influenced by contemporary psychoanalist Avgi Saketopoulou, a narrative is drawn towards Internal Otherness as the Sexual Unconscious (defined as our non-phenomenal sexualities, that root from traumatic transference) and, supported by Georges Batailles and Susan Sontag, its inherent unknowability.